Christopher Colles, the unofficial boss who’s been impressed by Letty’s unflappable skills with weaponry, wants her to pose as the girlfriend of National Security Agency computer specialist Rod Baxter as he seeks to hook up with Ordinary People across the country in California. Ordinary People, an anti-MAGA cabal of lefties, has already pulled off a string of small-scale disruptions, and the word from the CIA is that they plan to take down the power in the Twin Cities, where Letty grew up. Letty Davenport seeks to infiltrate a group of freelance hackers in order to thwart their next project-or maybe to help it along. ![]() Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.Ī tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Indeed, the novel does double duty as a survival manual, packed full of good advice-for instance, try not to get wounded, for “injury turns you from a giver to a taker. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. The satisfying thriller structure, vivid dialogue and characterizations, and tragicomic tone are reminiscent of the Coen brothers’ best film work, and the historical underpinning provides the pleasures of a first-rate true-crime tale.Ĭolorful, engaging, and bloody a richly satisfying crime story and character study.Īre we not men? We are-well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).Ī zombie apocalypse is one thing. Nicky is a fascinating character, sympathetic yet complicated, an aware and articulate person who has drifted into hell incrementally, trying in his way to do the right thing when he can. Hogan expertly tightens the screws as Nicky desperately scrambles to please his superiors, underlings, handlers, and estranged family as the body count mounts in increasingly gruesome fashion. Further complicating matters is Nicky’s status as an FBI informant dominated and abused by his handler, who entrapped Nicky via a humiliating staged seduction scenario. Ironically, his superb people skills win him the confidence of Accardo, which first feels like an honor but quickly devolves into a bloody nightmare as the crime lord tasks him with catching the thieves who invaded his home. Nicky, a closeted gay family man adrift after separating from his wife, is intelligent, sensitive, and discreet, operating under the radar as an effective survival strategy. “Nicky Pins” Passero, a bowling alley proprietor and midlevel member of Accardo’s outfit, is our point-of-view character and an ideal guide through the horrific events set in motion by the resentful thief and the increasingly paranoid Accardo. The real-life burglary of Chicago mob boss Tony Accardo’s suburban home in 1978 provides a marvelously hooky backdrop for Hogan’s lowdown tale, which fictionalizes the event and the subsequent assassinations of parties directly and tangentially involved with the incident. A sticky yarn of paranoia and semiorganized crime, ready for the multiplex.
0 Comments
Leave a Reply. |